If you had to pack your life into one suitcase, not knowing if you would ever return home -

what would you take?


To commemorate the third anniversary of Ukraine’s full-scale invasion, The Weight We Carried unveils the deeply personal stories of Ukrainians who were forced to leave everything behind.

This collection of artifacts, photographs, and seemingly everyday objects offers an intimate reflection on displacement, resilience, and the enduring strength of identity in the face of unimaginable loss.

On exhibition at Edinburgh Central Library (First Floor)
3rd - 26th Feb 2025

Our house, though intact, stands empty, like a monument to the ruined plans for life
— Oleksandr

Framed Photograph, 75g.

It was the fourth day of the war.
I drove into the city, leaving my mum and our cat in the apartment where they were hiding in the bathroom from missile strikes.

I had to go—my friend needed help. Her father urgently needed medicine, public transport wasn’t running, and I had a car and - importantly - a full tank of gas.
Pharmacies were shut, but friends told me that one was still open. While I waited in line, strikes on the city didn’t stop. The echoes spread with terrifying force, and columns of military vehicles moved toward the front. The front—that’s what we now called the outskirts of our city.

Just four days ago this road was the busiest artery of the city. Now there was only silence, tension in the air, and the faint smell of gasoline and tires.

Meeting my friend, I handed her the medicine. It was unbearably hard—I didn’t know when I would see her again. I didn’t know if we’d survive at all, or if this was our last embrace. A painful feeling intertwined with millions of others. Just five days ago, we were on duty at the hospital together, dreaming of the kind of brilliant doctors we would become. And now… now none of that mattered anymore.

I got a phone call from mum.
“Come home. Curfew starts in two hours. We’re leaving. Kharkiv is being surrounded. We need to make it in time.”

I didn’t understand what was happening at first but replied that I was coming. My friend and I hugged, thinking it might be for the last time. I keep returning to the feelings I had then—I remember them, but I can’t describe them. Too complex, too vast a range.

I arrived at my apartment. I didn’t know where I was going or what I needed. First, we gathered the essentials: cash, valuable electronics (hoping we could sell them if things got really bad), and documents. Then we went to my mum’s apartment and did the same.

It’s incredible how material things suddenly lose all meaning. For someone like me, a materialist, it was a completely new experience.

Everything happened so fast that the details are blurred in my memory. Only two moments stand out.

The first.
I closed the door to my brand-new apartment, where I hadn’t even had the chance to really live. Believe me, it’s so beautiful.

Before locking the door, I sent my mum downstairs and asked for a minute alone. I just stood in the hallway and looked. I knew I wouldn’t return for at least two years. Back then, everyone was saying it would be two weeks at most, but I knew—it was at least two years, if not forever.

I said goodbye to the apartment and locked the door.

The second.
We had packed everything at my mum’s apartment. We looked around, trying to figure out if we’d forgotten anything important. Mum was already heading out, but suddenly, I noticed a photo of my parents on the dresser. It had been there for at least twenty years, in the same spot. My parents never had warm feelings for each other, but for some reason, I realized I couldn’t leave without that frame. I quickly grabbed it and slipped it into my pocket.

I held it so tightly, as if my life depended on it. That frame was a symbol of a peaceful life that would never exist again.

We left, locked the door, called our neighbours, and left the keys with them. A pause hung in the air. We cried again, for the umpteenth time in four days. We hugged the neighbours we’d lived next to for twenty years. We left the keys and rushed away. Only thirty minutes remained before curfew.

It wasn’t a road—it was a black hole leading nowhere.

In both the literal and figurative sense.

Just me, my mum, and our cat Chavi. We were terrified. Physically trembling.

***

That photo now sits on a mantelpiece in Edinburgh. Every time I pass by, I smile. It feels like it speaks to me, reminding me how exposed and vulnerable I was.
I find those feelings both endearing—giving me strength—and frightening.

I wish I could end this story with the words: “And we survived it,” or “And peace came.”
But no. We continue to endure pain every day. This wound is still raw.

Yaroslava

Keys, 109g.

I have four children. For 17 years we lived in rented flats in a big city - well, we didn't have a house of our own. And then a miracle happened - my wife and my parents sponsored the construction of a house.

I spent two and a half years building this house with my own hands. I am a journalist by profession, I have never worked with my hands. But I learned a lot of construction skills. As there was not much money to hire builders, I did 90% of the work myself. And so I finished the house in the winter of 2022! And in January 2022, we finally moved into our own house!

And one month later the war started... And Russian missiles flew over our house.

I have kept these keys to the house, however I avoid finding them or looking at them. Because our house, though intact, stands empty like a monument to the ruined plans for life. And it is unknown if I will ever open my house with these keys with my own hands...

Oleksandr

Shawl, 100g.

When my son and I flew to Scotland we only took backpacks and 2 small suitcases. This square scarf is a reminder of home and family.

It belonged to my father’s mother, who died over 30 years ago. The village of Ternova is where my father was born and raised, and where I spent my summers as a child. It was occupied at the beginning of the war, then liberated, but after the attack on the Kharkiv region in May 2024, that area was badly damaged.

Now it is inaccessible and I’m not sure that this small village (population 900 before the war) will be inhabited again. The name of the village refers to ‘teren’, meaning a sloe or blackthorn.

For me, this ordinary scarf is a part of my family history and the history of my people that have been suffering from this brutal and lawbreaking invasion.

Olha L.

At the time I couldn't fit the red leather boots and the heavy necklace into that chaotic packing for a one-way trip. For this, I beat myself up endlessly for ten long months until I decided to return to my city in the dark December of 2022 and visit my grandmother's fresh grave.

The image of a stooped, sobbing old woman saying goodbye to us forever, in a chair in the corner of the room with her frail shoulders slumped, will forever remain in my memory.

The necklace and boots are charged hot with my grandmother’s energy, as well as the sense of belonging. They serve as a daily memory of my Ukrainianness, my indomitable spirit and my heartbreaking longing for my past life.

Vitaliia

Red Leather Boots and Necklace, 518g and 292g

The decision to leave the house was made in 15 minutes. There was no emergency suitcase prepared. We boiled 20 eggs and a three-litre pot of rice in case the bombs damaged the infrastructure and there was nothing to cook with. I know it sounds quite strange, but in that moment there was no room for rational thought, only survival.

Through the window I could see it was snowing outside. In the room, two small suitcases lay open on the floor filled with random things; a lot of socks, underwear, some canned food and my daughter's first singing trophy.

Ten days earlier she was awarded the title of ‘Exemplary Child Ukrainian Folk Song Ensemble’.

We know there are countless other stories like these out there.

It is important to document and amplify the voices of displaced Ukrainian people to bring awareness to the human stories at the centre of the unprovoked brutality Ukraine has endured.

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If you would like to contribute your story and item to this ongoing collective archive,
please get in touch.